1 00:00:25,300 --> 00:00:27,200 WHERE'S ANDY? 2 00:00:27,240 --> 00:00:28,840 I DON'T KNOW. HE LEFT RIGHT AFTER US. 3 00:00:28,870 --> 00:00:30,600 WHAT DO WE GOT? 4 00:00:30,640 --> 00:00:34,600 BUSBOY FOUND HIM DUMPED HERE WHEN HE CAME OUT FOR A SMOKE. 5 00:00:34,640 --> 00:00:36,570 ONE IN THE TEMPLE. 6 00:00:36,600 --> 00:00:38,000 ANY I. D. ON HIM? 7 00:00:38,040 --> 00:00:39,740 NO I. D., NO CASH. 8 00:00:39,770 --> 00:00:41,400 I KNOW THIS GUY, THOUGH. 9 00:00:41,440 --> 00:00:44,100 HIS NAME'S LENNY WILEY. HE'S A BOOKIE. 10 00:00:44,140 --> 00:00:47,040 BAR AROUND THE CORNER'S ONE OF HIS HANGOUTS. I KNOW SOME OTHERS. 11 00:00:47,070 --> 00:00:49,100 WE GOT THE SAME BEAT. 12 00:00:49,140 --> 00:00:51,200 WE'LL START OVER THERE. 13 00:00:51,240 --> 00:00:52,740 THANKS A LOT. 14 00:00:54,800 --> 00:00:56,570 SHOULD WE COVER HIM? 15 00:01:04,570 --> 00:01:07,240 I'M GOING TO TAKE A LOOK BACK HERE. 16 00:01:07,270 --> 00:01:10,540 YOU KNOW LENNY WILEY? YEAH. HE COMES IN. 17 00:01:10,570 --> 00:01:12,700 ‐ YOU SEE HIM TODAY? ‐ HE WAS IN FOR HIS COFFEE. 18 00:01:12,740 --> 00:01:14,600 WAS HE WITH ANYBODY? 19 00:01:14,640 --> 00:01:17,070 NO. WHAT ARE YOU ASKING ABOUT LENNY WILEY FOR? 20 00:01:17,100 --> 00:01:19,970 SOMEBODY KILLED HIM AND DUMPED HIM IN THE ALLEY ACROSS THE STREET. 21 00:01:22,400 --> 00:01:24,500 HEY, ANDY. WHERE YOU BEEN? 22 00:01:24,540 --> 00:01:27,940 NIGHT WATCH LEFT THE CAR WITH A FLAT AND NO SPARE. 23 00:01:27,970 --> 00:01:30,600 I'M GOING TO START THE CANVASS. 24 00:01:30,640 --> 00:01:32,070 COP CAUGHT ME UP. 25 00:01:32,100 --> 00:01:34,040 CAN'T BELIEVE THEY KILLED LENNY WILEY. 26 00:01:34,070 --> 00:01:36,100 ‐ LENNY WILEY'S DEAD? ‐ SOMEBODY KILLED HIM. 27 00:01:36,140 --> 00:01:38,940 YOU KNOW LENNY WILEY? YEAH, SURE. 28 00:01:38,970 --> 00:01:42,040 HE WAS A BOOKMAKER, RIGHT? I DON'T KNOW ABOUT THAT. 29 00:01:42,070 --> 00:01:45,670 HEY, LENNY WILEY, THE BOOKMAKER, WAS MURDERED AND FOUND IN THE ALLEY. 30 00:01:45,700 --> 00:01:48,070 CAN YOU HELP US WITH THAT? NO, I‐‐ 31 00:01:48,100 --> 00:01:49,770 THEN SHUT UP AND DRINK YOUR SHOT. 32 00:01:49,800 --> 00:01:52,900 HE USED TO MAKE BOOK IN HERE, RIGHT? I MIX DRINKS. 33 00:01:52,940 --> 00:01:56,770 YOU MIX DRINKS AND PROBABLY GET A C‐NOTE A WEEK FOR LETTING HIM OPERATE HERE. 34 00:01:56,800 --> 00:02:01,500 JUST CUT THE CRAP. I WANT TO KNOW IF ANYBODY OWED THIS GUY STRONG MONEY. 35 00:02:01,540 --> 00:02:04,000 ‐ ANYBODY IN TROUBLE WITH HIM? ‐ NOT THAT I KNOW ABOUT. 36 00:02:04,040 --> 00:02:05,870 ANYBODY WIN BIG AGAINST HIM, 37 00:02:05,900 --> 00:02:08,670 WHERE PEOPLE MIGHT HAVE KNOWN THAT THIS BOOKIE WAS HOLDING TO PAY OFF? 38 00:02:08,700 --> 00:02:10,040 NO. 39 00:02:10,070 --> 00:02:12,700 WHAT ABOUT JERRY? WHO'S JERRY? 40 00:02:12,740 --> 00:02:15,400 ‐ HERBIE, USE YOUR HEAD. ‐ STAY OUT OF THIS. 41 00:02:15,440 --> 00:02:19,100 I'M AN AMERICAN CITIZEN AND A CITIZEN OF THIS BOROUGH... 42 00:02:19,140 --> 00:02:21,200 AND I WAS ASKED A STRAIGHTFORWARD QUESTION. 43 00:02:21,240 --> 00:02:22,740 WHO'S JERRY? 44 00:02:22,770 --> 00:02:25,440 JERRY MARSH TAPPED ON THE KNICKS LAST WEDNESDAY. AM I RIGHT? 45 00:02:25,470 --> 00:02:27,670 JERRY MARSH EARNS A GOOD LIVING. 46 00:02:27,700 --> 00:02:30,100 JERRY MARSH ALWAYS PAYS HIS DEBTS. 47 00:02:30,140 --> 00:02:32,200 JERRY MARSH IS NOT GOING TO HURT ANYBODY. 48 00:02:32,240 --> 00:02:34,240 LEAVE JERRY OUT OF THIS. SHUT UP. 49 00:02:34,270 --> 00:02:37,200 DID JERRY MARSH EVER DO ME ANY FAVORS? 50 00:02:37,240 --> 00:02:40,240 NEXT FAVOR HE DOES ME IS FAVOR NUMBER ONE. 51 00:02:40,270 --> 00:02:42,540 WHAT'S YOUR NAME? 52 00:02:42,570 --> 00:02:45,070 JIMMY SULLIVAN. CHOPS SULLIVAN. CHOPS WOULDN'T HURT A SOUL. 53 00:02:45,100 --> 00:02:47,700 ‐ WOULD YOU SHUT UP? ‐ NO, YOU SHUT UP! 54 00:02:47,740 --> 00:02:50,070 WHERE ARE WE GONNA CONTACT JERRY MARSH? 55 00:02:50,100 --> 00:02:52,070 HE DIDN'T HAVE ANYTHING TO DO WITH IT. 56 00:02:52,100 --> 00:02:55,500 MAYBE, CHOPS, BUT MAYBE JERRY CAN TELL ME WHEN HE PAID THE BOOKIE OFF... 57 00:02:55,540 --> 00:02:58,100 AND GIVE ME SOMETHING THAT I CAN GO ON. 58 00:02:58,140 --> 00:03:01,540 NOW, IS THAT A SATISFACTORY EXPLANATION? 59 00:03:01,570 --> 00:03:03,170 YEAH. ALL RIGHT. 60 00:03:03,200 --> 00:03:06,440 GOOD, CHOPS. NOW YOU'RE IN THE CITIZENS' AUXILIARY. 61 00:03:06,470 --> 00:03:08,900 I CAN'T BELIEVE LENNY'S DEAD. 62 00:03:08,940 --> 00:03:13,000 I OWED HIM 35 BUCKS. I GUESS I'M AHEAD FOR THE WEEK. 63 00:03:13,040 --> 00:03:14,940 NEXT ROUND'S ON YOU THEN. 64 00:04:31,740 --> 00:04:33,040 MORNING. 65 00:04:34,740 --> 00:04:37,170 GOOD MORNING, DETECTIVE. 66 00:04:37,200 --> 00:04:39,540 WADE HEARING ON THAT GLOVER CASE TODAY, RIGHT? 67 00:04:39,570 --> 00:04:43,370 I KNOW YOU'LL BE DISTRESSED TO HEAR THIS. THEY'VE DECIDED TO PLEA. 68 00:04:43,400 --> 00:04:45,240 IS THAT RIGHT? FIRST‐DEGREE MAN. 69 00:04:45,270 --> 00:04:47,840 YOU MIGHT WANNA CALL YOUR FRIEND MISS NOVAK. 70 00:04:47,870 --> 00:04:50,040 LET HER KNOW YOU WON'T BE CHAPERONING HER TO THE TRIAL. 71 00:04:50,070 --> 00:04:51,770 I'LL USE MY OWN QUARTER. 72 00:04:53,070 --> 00:04:55,770 EVERYBODY, THIS IS DETECTIVE DIANE RUSSELL. 73 00:04:55,800 --> 00:04:59,700 SHE'S JOINING US FROM O.C.C.B. SHE'LL BE WORKING YOUR SLOT. 74 00:04:59,740 --> 00:05:02,570 O.K., THIS IS YOURS. THANKS, LIEUTENANT. 75 00:05:02,600 --> 00:05:04,600 WHAT'D YOU GET ON THAT DUMP JOB? 76 00:05:04,640 --> 00:05:07,840 LEONARD WILEY, 55, 77 00:05:07,870 --> 00:05:10,270 MULTIPLE P. M. D. COLLARS FOR BOOKMAKING. 78 00:05:10,300 --> 00:05:13,540 HE LEFT ONE OF HIS HANGOUTS ON FOOT AROUND 8:00. 79 00:05:13,570 --> 00:05:17,340 BUSBOY FOUND HIM SHOT IN THE ALLEY ACROSS THE STREET ABOUT AN HOUR LATER. 80 00:05:17,370 --> 00:05:19,870 ‐THE BODY WAS DUMPED? ‐YOU COULD SEE SKIN ABRASIONS... 81 00:05:19,900 --> 00:05:22,340 AND SCUFF MARKS ON HIS CLOTHES. 82 00:05:22,370 --> 00:05:25,570 M.E. SAID CAR MUST'VE BEEN MOVING WHEN THEY PUSHED HIM OUT. 83 00:05:25,600 --> 00:05:28,840 HE HAD A BIG PAYDAY COMING FROM A CLIENT. WE'RE BRINGING THE CLIENT IN. 84 00:05:28,870 --> 00:05:32,240 AND WE HEARD FROM SOME OF HIS HANGOUTS THAT HE SOMETIMES USED A DRIVER. 85 00:05:32,270 --> 00:05:34,500 WE'RE REACHING OUT FOR HIM TOO. 86 00:05:34,540 --> 00:05:37,270 ‐ KNOW WHO USED TO BODYGUARD THIS GUY SOMETIMES, LIEU? ‐ WHO? 87 00:05:37,300 --> 00:05:39,270 MIKE ROBERTS. 88 00:05:39,300 --> 00:05:41,600 ‐ YOU BRINGING ROBERTS IN? ‐ WE GOT A CALL INTO HIM. 89 00:05:41,640 --> 00:05:43,570 KEEP HIM AWAY FROM ME. 90 00:05:45,040 --> 00:05:46,040 ANDY. 91 00:05:46,070 --> 00:05:48,340 REMEMBER FATHER KANKARIDES... 92 00:05:48,370 --> 00:05:50,270 CHANGED OUR APPOINTMENT TO 1:00? 93 00:05:50,300 --> 00:05:52,900 YEAH. THAT'S ALL RIGHT. 94 00:05:52,940 --> 00:05:54,940 UNLESS, UH‐‐ IS THAT BAD FOR YOU? 95 00:05:54,970 --> 00:05:56,400 NO. 96 00:05:56,440 --> 00:06:00,900 NO. 1:00 IS FINE FOR ME. 97 00:06:00,940 --> 00:06:03,840 DETECTIVE SIPOWICZ, MIKE ROBERTS IS ON LINE TWO. 98 00:06:03,870 --> 00:06:05,340 YEAH. 99 00:06:05,370 --> 00:06:08,270 YEAH. MIKE. 100 00:06:08,300 --> 00:06:10,500 SO, UH, HOW'S IT GOING? 101 00:06:10,540 --> 00:06:12,900 GOOD. GLAD I'M HERE. I AM TOO. 102 00:06:12,940 --> 00:06:15,700 LISTEN. ARE YOU GONNA BE ALL RIGHT ABOUT THIS? 103 00:06:15,740 --> 00:06:16,870 IT'S FATE. 104 00:06:16,900 --> 00:06:19,570 'CAUSE YOU CAN SAY SOMETHING TO FANCY. 105 00:06:19,600 --> 00:06:22,540 "I'M SLEEPING WITH SIMONE. IT MIGHT LOOK BETTER IF I'M AT ANOTHER DESK?" 106 00:06:22,570 --> 00:06:24,940 YEAH, THAT'S THE WRONG APPROACH. 107 00:06:24,970 --> 00:06:27,540 MIKE'S FINDING TIME FOR US. 108 00:06:27,570 --> 00:06:30,500 THERE GOES HIS BINGO GAME. 109 00:06:30,540 --> 00:06:33,670 YOU GET TO MEET DIANE RUSSELL? SHE WORKED ON ARSON/HOMICIDE. 110 00:06:33,700 --> 00:06:35,770 ‐ HOW'S IT GOING? ‐ HI, ANDY. 111 00:06:35,800 --> 00:06:37,340 GOT YOU AT THAT DESK. 112 00:06:37,370 --> 00:06:39,040 YEAH. KIND OF CLOSE QUARTERS. 113 00:06:39,070 --> 00:06:43,500 THEY USED AN OLD FLOOR PLAN FROM A SUBMARINE. 114 00:06:43,540 --> 00:06:46,870 I GOT TO CALL THAT WACKO WITNESS OF MINE, 115 00:06:46,900 --> 00:06:49,200 LET HER KNOW THIS TRIAL'S OFF. 116 00:06:52,140 --> 00:06:53,500 CAN I HELP YOU? 117 00:06:53,540 --> 00:06:55,240 I'M, UH, DONNA ABANDANDO. 118 00:06:55,270 --> 00:06:57,040 MISS ABANDANDO. 119 00:06:57,070 --> 00:07:00,170 I'VE HEARD SO MUCH ABOUT YOU. I'M JOHN IRVIN. 120 00:07:00,200 --> 00:07:02,570 PLEASED TO MEET YOU. IS LIEUTENANT FANCY OUT? 121 00:07:02,600 --> 00:07:04,980 HE'LL BE BACK IN A MINUTE. 122 00:07:05,020 --> 00:07:06,550 HE STEPPED UPSTAIRS TO ANTICRIME. 123 00:07:07,650 --> 00:07:11,020 WON'T YOU HAVE A SEAT? 124 00:07:11,050 --> 00:07:12,720 LIKE YOU NEVER LEFT. 125 00:07:22,050 --> 00:07:24,380 IT'S DETECTIVE SIMONE, JOYCE. HOW'S IT GOING? 126 00:07:26,020 --> 00:07:28,220 MM‐HMM. YEAH. 127 00:07:28,250 --> 00:07:30,520 I JUST WANTED TO TELL YOU THAT ARNOLD GLOVER'S AGREED TO PLEA, 128 00:07:31,850 --> 00:07:33,750 SO THERE'S NOT GONNA BE ANY TRIAL. 129 00:07:35,220 --> 00:07:38,720 YEAH, IT IS. 130 00:07:38,750 --> 00:07:40,720 I JUST WANTED TO LET YOU KNOW THAT... 131 00:07:40,750 --> 00:07:42,780 AND TELL YOU HOW MUCH WE APPRECIATED... 132 00:07:42,820 --> 00:07:44,720 ALL YOUR HELP ON THE CASE, O. K.? 133 00:07:46,820 --> 00:07:50,520 NO, I REALLY DON'T KNOW THAT MANY DETAILS‐‐ 134 00:07:50,550 --> 00:07:53,650 MM‐HMM. SURE. 135 00:07:53,690 --> 00:07:56,090 MM‐HMM. 136 00:07:58,020 --> 00:08:00,780 HOW ABOUT THAT PLACE ACROSS THE STREET FROM WHERE YOU LIVE? 137 00:08:00,820 --> 00:08:04,350 WHAT'S IT‐‐ NINA'S, RIGHT? 138 00:08:04,390 --> 00:08:06,730 HALF AN HOUR? 139 00:08:06,750 --> 00:08:08,280 GREAT. YEAH. 140 00:08:08,320 --> 00:08:11,550 BYE. 141 00:08:11,590 --> 00:08:14,860 DREAMING‐‐ I WAS DREAMING, THINKING THAT I'D BEAT THAT SIT‐DOWN. 142 00:08:20,150 --> 00:08:21,480 HI, GREG. 143 00:08:21,520 --> 00:08:24,320 HI, DONNA. YOU LOOK GREAT. 144 00:08:24,350 --> 00:08:26,520 RELAXED AND REJUVENATED. 145 00:08:26,550 --> 00:08:29,350 YEAH? THAT'S TERRIFIC. 146 00:08:29,390 --> 00:08:32,230 SO, UH, WHAT'S UP NOW, MORE VACATION? 147 00:08:32,250 --> 00:08:34,650 I'M READY TO COME BACK TO WORK. 148 00:08:34,690 --> 00:08:37,030 IS THAT SO? INTERESTING. 149 00:08:37,050 --> 00:08:39,020 HI, DONNA. 150 00:08:39,050 --> 00:08:40,480 HI, LIEUTENANT. HOW ARE YOU? 151 00:08:40,520 --> 00:08:42,220 I'M FINE. GOOD. 152 00:08:42,250 --> 00:08:45,650 WELL, I CERTAINLY LOOK FORWARD TO SEEING YOU, DONNA. 153 00:08:45,690 --> 00:08:48,190 UH, BACK IN THE WORKPLACE. 154 00:08:51,190 --> 00:08:53,660 TAKE CARE, DETECTIVE. 155 00:08:55,220 --> 00:08:57,680 UM, SO DID YOU MISS ME A LITTLE BIT? 156 00:08:57,720 --> 00:08:59,820 YEAH, SURE WE DID. YOU READY TO COME BACK? 157 00:08:59,850 --> 00:09:01,520 CAN I COME BACK TOMORROW? 158 00:09:01,550 --> 00:09:04,020 TOMORROW'S FINE. I'LL LET THE TEMP KNOW. 159 00:09:04,050 --> 00:09:06,020 THANK YOU, LIEUTENANT. I'LL SEE YOU TOMORROW. 160 00:09:06,050 --> 00:09:07,920 I'LL SEE YOU TOMORROW. GOOD TO SEE YOU. 161 00:09:11,050 --> 00:09:12,950 MISS ABANDANDO'S LOVELY. 162 00:09:12,990 --> 00:09:14,990 YEAH. YEAH, SHE IS. 163 00:09:15,020 --> 00:09:17,550 SHALL I ASSUME THIS MEANS I'M MOVING ON? 164 00:09:17,590 --> 00:09:19,690 YEAH. SHE'S COMING BACK TOMORROW, JOHN. 165 00:09:19,720 --> 00:09:22,280 FINE. I'LL LET THE TEMP POOL KNOW. 166 00:09:22,320 --> 00:09:23,580 O.K. 167 00:09:36,020 --> 00:09:37,680 UH, JERRY MARSH TO SEE... 168 00:09:37,720 --> 00:09:39,650 DETECTIVE, UH, SIPOWICZ OR SIMONE. 169 00:09:39,690 --> 00:09:41,830 UH, JERRY MARSH IS HERE, DETECTIVES. 170 00:09:41,850 --> 00:09:44,450 MR. MARSH, I'M DETECTIVE SIPOWICZ. THIS IS DETECTIVE SIMONE. 171 00:09:44,490 --> 00:09:46,860 THIS IS ABOUT LENNY WILEY? 172 00:09:46,890 --> 00:09:49,130 YEAH. WHY DON'T WE COME BACK HERE AND TALK? 173 00:09:49,150 --> 00:09:52,550 UH, CAN I GET A CUP OF COFFEE? COME ON. WE GOT POT FULLS. 174 00:09:54,320 --> 00:09:55,880 GO AND HELP YOURSELF. 175 00:09:55,920 --> 00:09:57,550 WE APPRECIATE YOUR COMING IN. 176 00:09:59,720 --> 00:10:02,480 WHAT DO YOU THINK HAPPENED TO HIM? 177 00:10:02,520 --> 00:10:04,550 WE'RE PUTTING THAT TOGETHER. 178 00:10:04,590 --> 00:10:08,690 CAN YOU PLACE YOURSELF FOR US BETWEEN 8:00 AND 9:00 THIS MORNING? 179 00:10:08,720 --> 00:10:11,220 I MET HIM AT THE MARK. THAT'S THE ST. MARK'S BAR? 180 00:10:11,250 --> 00:10:14,820 YEAH. I PAID HIM SOME MONEY I OWED HIM, 181 00:10:14,850 --> 00:10:18,480 WENT TO MY OFFICE, PUT AN ICE PACK ON MY HEAD. 182 00:10:18,520 --> 00:10:20,450 HOW MUCH MONEY DID YOU GIVE HIM? 183 00:10:20,490 --> 00:10:22,190 11,400. 184 00:10:22,220 --> 00:10:24,280 ANY PAPER IN THERE? 185 00:10:24,320 --> 00:10:27,050 ‐ NO. ALL CASH. ‐ THAT A BIG LOSE FOR YOU? 186 00:10:27,090 --> 00:10:29,460 DO I LOOK LIKE DONALD TRUMP? 187 00:10:29,490 --> 00:10:32,190 YEAH. 11,400'S A BIG LOSE. 188 00:10:34,190 --> 00:10:36,990 I DIDN'T KILL LENNY WILEY. 189 00:10:37,020 --> 00:10:39,450 I'M THE TYPE OF SICKO WHO EARNS GOOD, 190 00:10:39,490 --> 00:10:41,960 PAYS HIS DEBTS. 191 00:10:41,990 --> 00:10:44,060 BOOKIES LOVE THAT IN A DEGENERATE. 192 00:10:44,090 --> 00:10:45,790 ANYBODY WITH HIM WHEN YOU PAID HIM? 193 00:10:45,820 --> 00:10:49,050 NAH. I MET HIM IN A BAR, 194 00:10:49,090 --> 00:10:51,890 WALKED OUTSIDE, I GAVE HIM THE MONEY, GOT IN MY CAR. 195 00:10:51,920 --> 00:10:53,880 DID HE HAVE A CAR? 196 00:10:53,920 --> 00:10:56,980 I DIDN'T SEE A CAR. 197 00:10:57,020 --> 00:10:59,980 DID YOU KNOW THIS GUY THAT DROVE FOR HIM SOMETIME, EARL PADZIK? 198 00:11:00,020 --> 00:11:01,480 JUST TO NOD TO. 199 00:11:01,520 --> 00:11:04,550 I DIDN'T KNOW THAT WAS HIS NAME. 200 00:11:04,590 --> 00:11:07,060 ANYONE KNEW THAT YOU WERE PAYING HIM? 201 00:11:07,090 --> 00:11:09,530 COUPLE OF GUYS IN THE BAR. 202 00:11:09,550 --> 00:11:11,520 THEY'RE LUCKY THEY COULD STAND UP. 203 00:11:11,550 --> 00:11:13,880 WHO DO YOU THINK MIGHT HAVE KILLED HIM? 204 00:11:13,920 --> 00:11:15,650 UH, I DON'T KNOW. 205 00:11:15,690 --> 00:11:18,990 I, UH‐‐ I ADDED IT UP ON THE WAY DOWN. 206 00:11:20,590 --> 00:11:23,390 ‐ I BET WITH HIM 12 YEARS. ‐ JUST HIM? 207 00:11:23,420 --> 00:11:26,550 YOU ONLY CARRY ONE CREDIT CARD? 208 00:11:26,590 --> 00:11:30,490 HE WAS A BOOKMAKER. I'M NOT GONNA PUT HIM UP FOR POPE, 209 00:11:30,520 --> 00:11:32,620 BUT HE WASN'T THE TYPE TO CUT YOUR THROAT. 210 00:11:32,650 --> 00:11:36,480 SOME GUYS, YOU'RE THREE WEEKS LATE, 211 00:11:36,520 --> 00:11:38,120 SUDDENLY YOU'RE HEARING FROM SHYLOCKS, 212 00:11:38,150 --> 00:11:40,420 PAYING 2 POINTS A WEEK INTEREST. 213 00:11:42,220 --> 00:11:43,550 HE WAS ALL RIGHT. 214 00:11:43,590 --> 00:11:46,560 O.K., MR. MARSH. THANKS VERY MUCH. 215 00:11:53,220 --> 00:11:55,850 YOU THINK OF ANYTHING MIGHT HELP, YOU GIVE US A CALL. 216 00:11:55,890 --> 00:11:58,460 ‐ HE WASN'T MARRIED. ‐ THAT'S WHAT WE UNDERSTAND. 217 00:11:58,490 --> 00:12:01,590 I SHOW UP DEAD, LOOK HARD AT MY WIFE. 218 00:12:03,920 --> 00:12:05,480 BOBBY, HOW WAS THIS RUSSELL... 219 00:12:05,520 --> 00:12:07,980 WHEN YOU WORKED THAT CASE TOGETHER? 220 00:12:08,020 --> 00:12:10,320 SHE DID ALL RIGHT. I LIKE HER. 221 00:12:12,090 --> 00:12:15,160 I GOTTA GO SHUT THIS WOMAN DOWN. 222 00:12:15,190 --> 00:12:17,860 WEAR ONE OF THOSE BEANIES WITH A PROPELLER ON YOUR HEAD. 223 00:12:17,890 --> 00:12:19,930 MAYBE SHE'LL LOSE INTEREST. 224 00:12:21,890 --> 00:12:24,360 EXCUSE ME. SORRY. EXCUSE ME. 225 00:12:48,600 --> 00:12:50,840 HEY. 226 00:12:50,860 --> 00:12:53,160 HEY. HOW HAVE YOU BEEN, BOBBY? 227 00:12:53,200 --> 00:12:55,040 ALL RIGHT, JOYCE. HOW ABOUT YOURSELF? 228 00:12:55,060 --> 00:12:56,660 I JUST GOT A LOT BETTER. 229 00:12:59,100 --> 00:13:02,040 PRETTY GOOD NEWS ON THAT PLEA, HUH? 230 00:13:02,060 --> 00:13:04,330 NO WADE HEARING THIS AFTERNOON, NO TESTIMONY. 231 00:13:04,360 --> 00:13:06,030 YEAH, IT'S GREAT NEWS. 232 00:13:08,060 --> 00:13:10,730 JOYCE, YOU DON'T MIND IF I DON'T ORDER ANYTHING? 233 00:13:10,760 --> 00:13:12,690 I GOTTA GET RIGHT BACK. 234 00:13:12,730 --> 00:13:16,390 WELL, NOT RIGHT BACK. I'M WORKING A HOMICIDE. 235 00:13:16,430 --> 00:13:20,860 YOU KNOW, I RECALL A CERTAIN HOT DOG LUNCH... 236 00:13:20,900 --> 00:13:23,540 WHERE A DETECTIVE SAID... 237 00:13:23,560 --> 00:13:27,390 THAT HE COULDN'T DISCUSS CERTAIN FEELINGS HE HAD UNTIL AFTER A CASE WAS SETTLED. 238 00:13:27,430 --> 00:13:30,190 YEAH, I REMEMBER THAT. 239 00:13:30,230 --> 00:13:32,230 SO I THOUGHT THAT NOW MIGHT BE THAT TIME. 240 00:13:35,160 --> 00:13:39,360 WELL, JOYCE, I THINK THAT YOU ARE A REALLY... 241 00:13:39,400 --> 00:13:42,400 INTERESTING WOMAN, JOYCE. 242 00:13:42,430 --> 00:13:44,660 YOU'RE ATTRACTIVE, YOU'RE OBVIOUSLY VERY BRIGHT‐‐ 243 00:13:44,700 --> 00:13:47,740 NO. THAT'S DESCRIPTION. 244 00:13:47,760 --> 00:13:49,390 TELL ME HOW YOU FEEL. 245 00:13:49,430 --> 00:13:50,990 I AM. 246 00:13:52,930 --> 00:13:56,560 I THINK THAT YOU ARE, UH, AN INTERESTING PERSON, 247 00:13:56,600 --> 00:13:58,840 AND I'M REALLY GRATEFUL YOU HELPED US OUT. 248 00:13:58,860 --> 00:14:00,690 AND? 249 00:14:00,730 --> 00:14:02,030 AND, UH... 250 00:14:07,030 --> 00:14:10,790 WELL, I WOULDN'T BE SURPRISED IF I READ ABOUT YOU IN SOME MAGAZINE. 251 00:14:10,830 --> 00:14:14,130 YOU KNOW? YES, SOME... 252 00:14:14,160 --> 00:14:16,990 INTERESTING ARTICLE ABOUT YOUR, UH‐‐ 253 00:14:17,030 --> 00:14:19,630 YOUR PLANT BUSINESS AND SO FORTH. 254 00:14:19,660 --> 00:14:21,360 THAT DOESN'T WORK. 255 00:14:21,400 --> 00:14:22,270 SORRY? 256 00:14:24,500 --> 00:14:26,740 YOU PROMISED ME, BOBBY. YOU SAID THAT AFTER THE CASE WAS SETTLED, 257 00:14:26,760 --> 00:14:29,160 YOU'D EXPRESS YOUR FEELINGS. I JUST EXPRESSED THEM. 258 00:14:29,200 --> 00:14:31,170 IF YOU BREAK YOUR PROMISE, 259 00:14:31,200 --> 00:14:34,700 YOU'RE... GOING TO PAY THE CONSEQUENCES. 260 00:14:36,030 --> 00:14:37,360 JOYCE... 261 00:14:37,400 --> 00:14:41,170 I THINK YOU HEARD WHAT YOU WANTED TO HEAR. 262 00:14:41,200 --> 00:14:43,370 I DID NOT BREAK ANY PROMISES TO YOU, O. K.? 263 00:14:43,400 --> 00:14:45,500 NO. NO. NOT O. K. 264 00:14:45,530 --> 00:14:48,530 IT'LL HAVE TO BE O. K., BECAUSE I'M DONE TALKING ON THAT SUBJECT. 265 00:14:48,560 --> 00:14:52,060 IF THAT'S THE EXTENT OF YOUR FEELINGS, THEN YOU LED ME ON. 266 00:14:52,100 --> 00:14:54,500 I'M GONNA TELL YOU SOMETHING. 267 00:14:54,530 --> 00:14:58,830 IF YOU HAD IT SET UP IN YOUR MIND THAT I WAS GONNA BE YOUR DOOR PRIZE... 268 00:14:58,860 --> 00:15:02,230 FOR TELLING THE TRUTH IN THIS CASE, WELL THEN, THAT'S YOUR PROBLEM. 269 00:15:02,260 --> 00:15:04,730 DO COPS ALWAYS LIE? TAKE CARE OF YOURSELF. 270 00:15:04,760 --> 00:15:06,530 DON'T WALK AWAY FROM ME. 271 00:15:06,560 --> 00:15:08,530 YOU'LL BE MAKING A BIG MISTAKE. 272 00:15:08,560 --> 00:15:10,390 LET GO OF MY ARM. 273 00:15:10,430 --> 00:15:12,730 I'LL TAKE BACK MY TESTIMONY. 274 00:15:12,760 --> 00:15:15,030 YOU DO THAT, AND YOU'LL BE SAYING... 275 00:15:15,060 --> 00:15:16,790 YOU LIED BEFORE THE GRAND JURY. 276 00:15:16,830 --> 00:15:18,690 THEN YOU'LL GO TO JAIL. 277 00:15:20,030 --> 00:15:23,460 NOW, I WANT YOU TO LET GO OF MY ARM. 278 00:15:23,500 --> 00:15:26,000 YOU HAVE NO IDEA WHO YOU'RE DEALING WITH. 279 00:15:50,000 --> 00:15:53,200 YEAH, MIKE ROBERTS FOR DETECTIVE SIPOWICZ. 280 00:15:53,230 --> 00:15:57,030 ANOTHER DEAD CLIENT, HUH, ROBERTS? HEY, ANDY. 281 00:15:57,060 --> 00:16:01,160 SO, HOW LONG HAS DOROTHY BEEN HERE? 282 00:16:01,200 --> 00:16:02,640 A FEW WEEKS. 283 00:16:02,660 --> 00:16:05,530 HEY, WHAT HAPPENED TO THE BIM WITH THE TUBAS? 284 00:16:05,560 --> 00:16:08,660 DONNA. I JUST HEARD SHE'S COMING BACK. 285 00:16:08,700 --> 00:16:11,170 OH, YEAH, THIS GUY'S REALLY CLICKING HIS SLIPPERS. 286 00:16:11,200 --> 00:16:14,570 I'LL TELL YOU SOMETHING. HE'S GOOD AT HIS JOB. 287 00:16:14,600 --> 00:16:18,200 SO WHAT DO YOU GOT ON MY GUY? HE'S A DEAD BOOKIE. 288 00:16:18,230 --> 00:16:22,130 HE WAS NOT UNDER MY PROTECTION WHEN HE PASSED, ANDY. 289 00:16:22,160 --> 00:16:25,160 WHY WAS THAT? WE HEARD HE HAD A BIG PICKUP THIS MORNING. 290 00:16:25,200 --> 00:16:27,470 I DID PIECEWORK FOR THE GUY. 291 00:16:27,500 --> 00:16:30,370 HE'D CALL, I'D GUARD HIM. HE DIDN'T CALL THIS MORNING. 292 00:16:30,400 --> 00:16:33,640 WAS HE IN TROUBLE WITH ANYBODY? DID HE HAVE ANY FRICTION WITH OTHER BOOKIES? 293 00:16:33,660 --> 00:16:36,360 ‐ NOT THAT I KNOW OF. ‐ WHAT DO YOU KNOW ABOUT HIS DRIVER? 294 00:16:36,400 --> 00:16:39,070 EARL PADZIK? 295 00:16:39,100 --> 00:16:41,500 GIVE THE GUY AN OPEN STREET, HE'D HIT A BUS. 296 00:16:41,530 --> 00:16:45,360 HE WAS WITH LENNY A COUPLE OF MONTHS. I THINK HIS OLD MAN USED TO BET WITH HIM. 297 00:16:45,400 --> 00:16:47,570 DID YOU LIKE THIS GUY? WHO, LENNY? 298 00:16:47,600 --> 00:16:50,870 HE WAS ALL RIGHT. NOT A GRIND 'EM UP KIND OF GUY. 299 00:16:50,900 --> 00:16:55,540 HE USED TO BET HIMSELF. HE USED TO GO TO THAT JAI ALAI FRONTON IN BRIDGEPORT. 300 00:16:55,560 --> 00:16:58,690 HE'D SAY IF HE COULD FIGURE OUT WHAT THOSE SPANISH GUYS WITH THE BASKETS... 301 00:16:58,730 --> 00:17:01,790 WERE SAYING TO EACH OTHER, HE'D BE RICH. 302 00:17:01,830 --> 00:17:05,460 ‐ IS THERE ANYTHING ELSE? ‐ NO. 303 00:17:05,500 --> 00:17:08,370 O.K., ROBERTS, THANKS. 304 00:17:08,400 --> 00:17:11,470 HEY, YOU GET ANYTHING OFF THE CELLULAR? 305 00:17:11,500 --> 00:17:14,840 NO. WE DIDN'T KNOW HE HAD ONE. YEAH, SEWED TO HIS EAR. 306 00:17:14,860 --> 00:17:16,860 YOU MIGHT GET SOMETHING OFF THAT. GOOD. THAT'LL HELP. 307 00:17:16,900 --> 00:17:19,970 HEY, ANDY, IF THE OCCASION PERMITS, 308 00:17:20,000 --> 00:17:22,400 LET PEOPLE KNOW I WASN'T ON DUTY GUARDING THIS GUY. 309 00:17:22,430 --> 00:17:24,960 MAYBE THAT'S A SELLING ANGLE. 310 00:17:25,000 --> 00:17:28,900 "GOT AN ENEMY YOU WANT DEAD? HIRE ROBERTS SECURITY." 311 00:17:28,930 --> 00:17:31,530 IT'S EXCELSIOR, AND THAT AIN'T FUNNY. 312 00:17:33,230 --> 00:17:35,230 WISE GUY. 313 00:17:35,260 --> 00:17:36,890 HEY, BOBBY, ISN'T IT? 314 00:17:36,930 --> 00:17:39,230 YEAH. HOW'S IT GOING? ALL RIGHT. 315 00:17:39,260 --> 00:17:41,330 EVERYTHING'S TERRIFIC. 316 00:17:41,360 --> 00:17:42,560 YEAH, I'LL HOLD. 317 00:17:43,830 --> 00:17:46,530 HEY. THE BOOKIE HAD A CELL PHONE. 318 00:17:46,560 --> 00:17:47,790 IS SYLVIA AROUND? 319 00:17:47,830 --> 00:17:49,790 SHE'S FINISHING AN INTERVIEW, 320 00:17:49,830 --> 00:17:52,390 THEN WE GOTTA GO GET COUNSELED BY A GREEK PRIEST. 321 00:17:52,430 --> 00:17:57,160 THIS IS DETECTIVE SIPOWICZ, 15th SQUAD. COULD I HAVE SECURITY? 322 00:17:57,200 --> 00:18:00,470 I WANT TO TRACE USAGE ON ONE OF YOUR CELL PHONES. 323 00:18:00,500 --> 00:18:03,040 WHAT DO YOU NEED SYLVIA FOR? 324 00:18:03,060 --> 00:18:04,530 I GOTTA TALK ABOUT THE GLOVER CASE. 325 00:18:04,560 --> 00:18:07,330 MY WITNESS MAY BE LOOKING TO QUEER THE PLEA. 326 00:18:11,030 --> 00:18:12,590 YOU GOT A SECOND FOR ME? 327 00:18:13,660 --> 00:18:15,160 O.K. 328 00:18:17,700 --> 00:18:19,740 WE GOT MORE PROBLEMS WITH JOYCE NOVAK. 329 00:18:21,730 --> 00:18:23,990 AS YOU KNOW, DETECTIVE, I AM OBLIGATED... 330 00:18:24,030 --> 00:18:27,490 TO TURN OVER ANY EXCULPATORY BRADY INFORMATION TO THE DEFENSE. 331 00:18:27,530 --> 00:18:30,730 I UNDERSTAND, COUNSEL. WE SHOULD DISCUSS THIS THEN, HYPOTHETICALLY, 332 00:18:30,760 --> 00:18:33,030 THIS PROBLEM. 333 00:18:33,060 --> 00:18:37,630 SAY A WITNESS WAS, UH, UNSTABLE... 334 00:18:37,660 --> 00:18:41,630 AND IS LOOKING TO SQUEEZE SHOES OR BEING PISSED OFF, FOR WHATEVER REASON, 335 00:18:41,660 --> 00:18:44,630 IS LOOKING TO WITHDRAW TESTIMONY, WHICH WAS CORRECT TESTIMONY, 336 00:18:44,660 --> 00:18:47,360 BUT BASICALLY THIS WITNESS IS LOOKING TO SCREW THINGS UP. 337 00:18:47,400 --> 00:18:51,140 WHAT WOULD BE THE CHANCES OF MOVING UP THE WADE HEARING, 338 00:18:51,160 --> 00:18:53,860 WHERE A PLEA MIGHT GET ENTERED SO THIS WITNESS COULDN'T PULL OUT? 339 00:18:53,900 --> 00:18:56,340 THERE IS NO WAY OF MOVING UP THE TIME. 340 00:18:56,360 --> 00:18:58,730 NO? I‐‐ 341 00:18:58,760 --> 00:19:02,490 IN YOUR HYPOTHETICAL, IS IT CERTAIN THE WITNESS KNOWS WHEN THE HEARING IS? 342 00:19:02,530 --> 00:19:05,130 YEAH. SOME IDIOT TOLD HER. 343 00:19:05,160 --> 00:19:07,990 AND IT'S CERTAIN THE WITNESS IS GOING TO SHOW UP? 344 00:19:08,030 --> 00:19:11,660 IT'S CERTAIN THE WITNESS IS A HEAD CASE. 345 00:19:11,700 --> 00:19:14,140 I CAN'T BE SURE IF THAT'S THE EXACT PLAN, 346 00:19:14,160 --> 00:19:17,030 BUT I THINK THERE'S A PRETTY GOOD CHANCE. 347 00:19:17,060 --> 00:19:20,030 SINCE THERE'S NO CHANCE OF CHANGING THE TIME OR THE VENUE‐‐ 348 00:19:20,060 --> 00:19:23,130 I WOULD HAVE TO PREVENT THE WITNESS' APPEARANCE. 349 00:19:23,160 --> 00:19:27,130 SPEAKING HYPOTHETICALLY, YOU MIGHT WANT TO DISSUADE IT SOMEHOW. 350 00:19:27,160 --> 00:19:28,460 SYLVIA, I‐‐ 351 00:19:28,500 --> 00:19:31,500 MAYBE WE CAN CALL FATHER KANKARIDES AND RESCHEDULE. 352 00:19:31,530 --> 00:19:35,860 NO. LET'S GO RIGHT NOW. I HAVE TO BE BACK IN COURT BY 3:00. 353 00:19:38,600 --> 00:19:40,970 I'M GETTING A PRINTOUT ON THIS GUY'S CELL PHONE. 354 00:19:41,000 --> 00:19:42,170 YEAH. 355 00:19:43,500 --> 00:19:45,140 UM, MY NAME'S EARL PADZIK. 356 00:19:45,160 --> 00:19:48,960 I GOT A MESSAGE TO CONTACT DETECTIVE SIPO‐SOMETHING OR SIMONE. 357 00:19:49,000 --> 00:19:51,900 I'M DETECTIVE SIMONE. I GOT IT. 358 00:19:53,430 --> 00:19:55,860 I'LL SEE YOU IN COURT, HUH? 359 00:19:55,900 --> 00:19:57,870 THAT'S SIPOWICZ, PAL. 360 00:19:57,900 --> 00:20:00,470 THANKS FOR COMING IN. WHAT IS THIS ABOUT? 361 00:20:00,500 --> 00:20:03,370 COME OVER. WE'LL TALK IN THE ROOM HERE. 362 00:20:03,400 --> 00:20:05,140 WANT SOME COFFEE OR SOMETHING? 363 00:20:05,160 --> 00:20:06,860 YEAH. ALL RIGHT. 364 00:20:06,900 --> 00:20:09,170 SO YOU USED TO WORK FOR LEONARD WILEY, HUH? 365 00:20:09,200 --> 00:20:10,970 YEAH. 366 00:20:11,000 --> 00:20:12,670 I DRIVE HIM SOMETIMES. 367 00:20:15,000 --> 00:20:17,700 WHEN DID YOU SEE HIM LAST? 368 00:20:17,730 --> 00:20:22,130 ABOUT 10:00 LAST NIGHT. I DROPPED HIM OFF AT HIS PLACE IN QUEENS. 369 00:20:22,160 --> 00:20:25,060 HE SEEM WORRIED ABOUT ANYTHING, SAY ANYTHING UNUSUAL? 370 00:20:25,100 --> 00:20:28,800 NOT TO ME. YOU KNOW, "PULL OVER HERE." 371 00:20:28,830 --> 00:20:30,830 "YES, MR. WILEY." THAT'S AS MUCH AS WE TALK. 372 00:20:30,860 --> 00:20:33,230 HE'S A BIG‐SHOT FINANCIAL MANAGER. 373 00:20:33,260 --> 00:20:35,660 I'M JUST A GLORIFIED CABBIE. 374 00:20:35,700 --> 00:20:37,540 HE'S A FINANCIAL MANAGER, EARL? 375 00:20:37,560 --> 00:20:40,460 AND EGGS COME FROM THE EASTER BUNNY. 376 00:20:40,500 --> 00:20:43,670 YOU WANT ANYTHING WITH THIS? NO. 377 00:20:45,230 --> 00:20:46,730 HAVE A SEAT. 378 00:20:52,260 --> 00:20:53,890 YOU KNOW WILEY'S DEAD. 379 00:20:53,930 --> 00:20:56,190 YEAH. YEAH, I HEARD THAT. 380 00:20:56,230 --> 00:20:57,560 WHERE WERE YOU THIS MORNING? 381 00:20:57,600 --> 00:21:00,540 HOME. I LIVE WITH MY MOTHER. 382 00:21:00,560 --> 00:21:01,890 WHY WEREN'T YOU DRIVING WILEY? 383 00:21:01,930 --> 00:21:03,830 TOLD ME NOT TO PICK HIM UP. 384 00:21:03,860 --> 00:21:06,230 HE WAS EXPECTING MONEY. WHY WOULDN'T HE USE YOU? 385 00:21:06,260 --> 00:21:09,190 I DON'T KNOW. I GUESS YOU CAN'T ASK HIM. 386 00:21:09,230 --> 00:21:12,960 ‐ NO. YOU CAN'T, EARL, 'CAUSE HE'S DEAD, RIGHT? ‐ YEAH. 387 00:21:13,000 --> 00:21:15,840 ‐ DID I SAY SOMETHING TO MAKE YOU ANGRY? ‐ NO. 388 00:21:15,860 --> 00:21:19,860 'CAUSE THAT SEEMS LIKE A SMART‐ASS ANSWER. YOU TRYING TO PISS ME OFF? 389 00:21:19,900 --> 00:21:21,240 NOT REALLY. 390 00:21:21,260 --> 00:21:23,890 YOU'RE NOT TRYING TO PISS ME OFF? NO. 391 00:21:23,930 --> 00:21:26,790 THAT HAPPEN OFTEN? PEOPLE GET PISSED AT YOU, YOU CAN'T FIGURE OUT WHY? 392 00:21:26,830 --> 00:21:29,390 I DON'T KNOW WHAT THIS CONVERSATION IS ABOUT. 393 00:21:29,430 --> 00:21:31,730 HOW'D YOU MEET WILEY, EARL? 394 00:21:31,760 --> 00:21:34,360 MY DAD BET WITH HIM BEFORE HE DIED. 395 00:21:34,400 --> 00:21:36,320 I'VE BEEN OUT OF WORK. 396 00:21:36,340 --> 00:21:38,130 MY MA HAD ME CALL. 397 00:21:38,170 --> 00:21:40,370 WE'LL BE TALKING TO YOUR MOTHER. 398 00:21:40,400 --> 00:21:42,900 SHE'LL SAY YOU WERE HOME THIS MORNING, RIGHT? 399 00:21:42,940 --> 00:21:44,240 THAT'S RIGHT. 400 00:21:44,270 --> 00:21:46,470 WHEN WE CANVASS BY WILEY'S PLACE, 401 00:21:46,500 --> 00:21:48,830 NOBODY'S GONNA SAY THEY SAW YOUR CAR PICKING HIM UP. 402 00:21:48,870 --> 00:21:51,330 NOBODY'S GONNA SAY THAT. 403 00:21:53,670 --> 00:21:56,000 WE RAN YOU THROUGH B. C. I., EARL. 404 00:21:56,040 --> 00:21:59,580 ‐ YOU GOT ONE COLLAR FOR AUTO THEFT, ONE FOR RECEIVING. ‐ UH‐HUH. 405 00:21:59,600 --> 00:22:02,830 WHAT WERE THEY ABOUT? NOTHING. I WAS A KID AT THE TIME. 406 00:22:02,870 --> 00:22:05,700 AND WHAT HAPPENED HERE? THAT WASN'T YOU DOING A ROBBERY GONE BAD? 407 00:22:05,740 --> 00:22:07,710 NO. 408 00:22:07,740 --> 00:22:10,680 I TOLD YOU I DIDN'T SEE HIM THIS MORNING. 409 00:22:13,040 --> 00:22:15,680 O.K., EARL. YOU CAN GO. 410 00:22:19,270 --> 00:22:20,570 YOU CAN GO. 411 00:22:23,240 --> 00:22:26,210 KEEP WORKING ON THAT FRIENDLY ATTITUDE. 412 00:22:26,240 --> 00:22:27,610 YEAH, YOU, TOO. 413 00:22:33,670 --> 00:22:36,000 YOU KNOW, I COULD USE YOUR HELP. 414 00:22:36,040 --> 00:22:39,180 WHAT ARE WE DOING? WORKING SOMETHING AT COURT. 415 00:22:44,700 --> 00:22:46,200 PLEASE COME IN. 416 00:22:48,440 --> 00:22:50,010 HAVE A SEAT. 417 00:22:53,270 --> 00:22:55,730 I'VE KNOWN SYLVIA SINCE SHE WAS A CHILD. 418 00:22:55,770 --> 00:22:58,630 I'M NOT SURPRISED THAT SHE ANSWERED THE QUESTIONNAIRE... 419 00:22:58,670 --> 00:23:01,700 SO THOROUGHLY AND INTELLIGENTLY. 420 00:23:01,740 --> 00:23:05,010 SHE DO A GOOD JOB? YOU LEFT SOME ANSWERS BLANK. 421 00:23:05,040 --> 00:23:07,380 THE ONES I THOUGHT WERE TOO PERSONAL. 422 00:23:07,400 --> 00:23:09,400 ACTUALLY, SYLVIA, WERE THERE ANY QUESTIONS... 423 00:23:09,440 --> 00:23:14,080 THAT YOU AND ANDREW WANTED TO ASK ME AS A COUPLE? 424 00:23:15,440 --> 00:23:16,640 NO. 425 00:23:16,670 --> 00:23:20,730 THEN, SINCE TIME SEEMS TO BE A FACTOR, 426 00:23:20,770 --> 00:23:23,730 IT MAY BE MOST USEFUL IF ANDREW AND I COULD CHAT PRIVATELY. 427 00:23:23,770 --> 00:23:26,600 ‐ ALL RIGHT, FATHER. ‐ IT WILL ONLY TAKE A FEW MOMENTS. 428 00:23:34,440 --> 00:23:35,680 PLEASE. 429 00:23:41,240 --> 00:23:46,040 THE, UM, COUNSELING QUESTIONNAIRE IS MEANT TO ESTABLISH... 430 00:23:46,070 --> 00:23:49,400 AN ATMOSPHERE OF FRANKNESS AND HONESTY. 431 00:23:49,440 --> 00:23:52,380 THAT IS WHY WE HOPE YOU'LL ANSWER THEM FULLY. 432 00:23:52,400 --> 00:23:54,370 MAYBE IF I KNEW YOU BETTER. 433 00:23:54,400 --> 00:23:56,470 MAYBE WE CAN ACCOMPLISH THAT NOW. 434 00:23:56,500 --> 00:23:59,900 I THINK IT'D TAKE A LONGER TIME. 435 00:24:02,540 --> 00:24:04,980 YOU'VE READ THE COUPLES' TEXT ON THE SACRAMENT OF HOLY MATRIMONY... 436 00:24:05,000 --> 00:24:07,630 AND THE CROWNING SERVICES? 437 00:24:07,670 --> 00:24:10,300 YEAH, I DID. WHAT DO YOU THINK OF THOSE? 438 00:24:10,340 --> 00:24:11,680 VERY NICE. 439 00:24:17,940 --> 00:24:20,040 DO YOU BELIEVE IN GOD, ANDREW? 440 00:24:21,570 --> 00:24:23,730 I'D AS SOON NOT GET INTO THAT. 441 00:24:23,770 --> 00:24:25,900 I'M SURE THAT IN YOUR WORK, 442 00:24:25,940 --> 00:24:27,540 YOU MUST SEE THINGS... 443 00:24:27,570 --> 00:24:29,870 THAT ARE VERY HARD TO DEAL WITH. 444 00:24:30,940 --> 00:24:32,540 HAVE YOU LOST YOUR FAITH? 445 00:24:35,600 --> 00:24:37,030 YEAH. 446 00:24:44,600 --> 00:24:47,570 SYLVIA'S BEEN A FAVORITE OF MINE EVER SINCE I'VE KNOWN HER. 447 00:24:49,270 --> 00:24:53,230 I THINK SHE HAS A GREAT GIFT OF SPIRIT, 448 00:24:53,270 --> 00:24:55,230 OF FINDING THE BEST IN PEOPLE. 449 00:24:55,270 --> 00:24:56,970 I THINK THAT'S RIGHT. 450 00:24:57,000 --> 00:24:59,300 AND YOU WANT TO MAKE HER HAPPY. 451 00:24:59,340 --> 00:25:01,510 YOU DO LOVE HER. 452 00:25:01,540 --> 00:25:03,580 YEAH, I DO. 453 00:25:03,600 --> 00:25:05,330 GOOD. 454 00:25:05,370 --> 00:25:06,570 GOOD. 455 00:25:09,870 --> 00:25:11,630 VERY WELL, ANDREW. 456 00:25:11,670 --> 00:25:15,570 I'M GLAD I GOT TO MEET YOU. DON'T GIVE UP ON GOD. 457 00:25:15,600 --> 00:25:17,400 YEAH. IT'S GOOD TO MEET YOU. 458 00:25:17,440 --> 00:25:19,940 HE MAY NOT BE THROUGH WITH YOU YET. 459 00:25:25,040 --> 00:25:26,910 ANDREW AND I ARE FINISHED. 460 00:25:26,940 --> 00:25:28,880 IF YOU BOTH WILL EXCUSE ME, 461 00:25:28,900 --> 00:25:30,830 I HAVE TO GO HEAR CONFESSION. 462 00:25:32,340 --> 00:25:34,910 ALL RIGHT, FATHER. 463 00:25:34,940 --> 00:25:36,780 THANK YOU. YOU'RE VERY WELCOME. 464 00:25:38,400 --> 00:25:40,630 I HOPE THIS WENT WELL. 465 00:25:40,670 --> 00:25:42,800 OH, YEAH. IT WENT FINE. 466 00:25:42,840 --> 00:25:45,380 I'LL SEE YOU SOON. ANDREW. 467 00:25:45,400 --> 00:25:46,900 SO LONG, FATHER. 468 00:25:48,440 --> 00:25:49,810 WAS IT ALL RIGHT? 469 00:25:49,840 --> 00:25:51,910 YEAH. WE GOT ALONG O. K. 470 00:26:05,000 --> 00:26:06,800 TRIAL IS ON FOR JUNE 15. 471 00:26:06,840 --> 00:26:09,340 THANK YOU. THIS IS NOW 14 MONTHS. 472 00:26:09,370 --> 00:26:11,000 I WANT BOTH SIDES READY. 473 00:26:11,040 --> 00:26:13,740 BAIL IS CONTINUED ON THE SAME CONDITIONS. 474 00:26:13,770 --> 00:26:16,500 INDICTMENT 5522‐‐ 475 00:26:16,540 --> 00:26:17,710 PEOPLE OF THE STATE OF NEW YORK... 476 00:26:17,740 --> 00:26:19,380 VS. ARNOLD GLOVER. 477 00:26:19,400 --> 00:26:22,030 CALENDAR D. A.'S GOING TO HANDLE THE PLEADING. 478 00:26:22,070 --> 00:26:24,130 TELL HIM TO HURRY UP. ANY SIGN OF HER? 479 00:26:24,170 --> 00:26:25,670 NO. NOT YET. 480 00:26:34,840 --> 00:26:36,310 YOUR HONOR, MAY WE APPROACH? 481 00:26:36,340 --> 00:26:37,180 COUNSEL APPROACH. 482 00:26:45,240 --> 00:26:47,180 IF IT'S ACCEPTABLE TO YOUR HONOR, 483 00:26:47,200 --> 00:26:48,670 WE'VE WORKED OUT A PLEA... 484 00:26:48,700 --> 00:26:50,070 OF FIRST‐DEGREE MANSLAUGHTER... 485 00:26:50,100 --> 00:26:52,800 WITH AN AGREED‐UPON SENTENCE OF 7‐21. 486 00:26:52,840 --> 00:26:54,810 HE'LL WAIVE HIS RIGHT TO APPEAL. 487 00:26:54,840 --> 00:26:56,880 SOUNDS O. K. TO ME. STEP BACK. 488 00:27:03,200 --> 00:27:04,830 YOUR HONOR, AT THIS POINT, 489 00:27:04,870 --> 00:27:06,370 MR. GLOVER WISHES TO WITHDRAW... 490 00:27:06,400 --> 00:27:08,730 HIS PREVIOUSLY ENTERED PLEA OF NOT GUILTY. 491 00:27:08,770 --> 00:27:10,170 WHAT'S GOING ON? 492 00:27:10,200 --> 00:27:12,330 YOU'RE ABOUT TO FIND OUT. 493 00:27:12,370 --> 00:27:15,330 COME ON. I THOUGHT YOU WANTED TO SEE ME. 494 00:27:15,370 --> 00:27:16,970 NOT ANYMORE. 495 00:27:17,000 --> 00:27:19,170 DON'T PLAY THIS. COME ON. LET'S SIT DOWN. 496 00:27:21,770 --> 00:27:23,470 PUT THE DEFENDANT UNDER OATH. 497 00:27:23,500 --> 00:27:26,630 RAISE YOUR RIGHT HAND. 498 00:27:26,670 --> 00:27:28,200 DO YOU SWEAR THAT THE TESTIMONY‐‐ 499 00:27:28,240 --> 00:27:31,210 I THOUGHT YOU WANTED US TO GET TOGETHER. 500 00:27:31,240 --> 00:27:33,480 ‐ I DID. ‐ I DO. 501 00:27:33,500 --> 00:27:35,530 STATE YOUR NAME. ARNOLD GLOVER. 502 00:27:35,570 --> 00:27:37,700 I'VE BEEN THINKING ABOUT WHAT YOU SAID. 503 00:27:40,070 --> 00:27:41,530 AND? 504 00:27:41,570 --> 00:27:43,970 I THINK WE SHOULD DO SOMETHING ABOUT IT. 505 00:27:44,000 --> 00:27:46,300 DETECTIVE, THEY WANT YOU IN PART 63. 506 00:27:46,340 --> 00:27:48,740 THEY CAN'T HAVE ME. THEY NEED YOU RIGHT NOW. 507 00:27:48,770 --> 00:27:50,830 THEY CAN'T HAVE ME RIGHT NOW. 508 00:27:50,870 --> 00:27:53,070 DETECTIVE SIMONE‐‐ DID YOU HEAR WHAT I SAID? 509 00:27:53,100 --> 00:27:55,370 ALL RIGHT, I'LL TELL THEM, BUT THEY WANT YOU OVER THERE. 510 00:27:55,400 --> 00:27:58,370 I HAD A GUN, AND I SHOT THEM. BOTH IN THE BED. 511 00:27:58,400 --> 00:27:59,800 COME ON, JOYCE. 512 00:27:59,840 --> 00:28:02,180 MR. GLOVER, DO YOU ENTER THIS PLEA VOLUNTARILY... 513 00:28:02,200 --> 00:28:05,370 COME ON, JOYCE. UNDER NO DURESS OR COERCION? 514 00:28:05,400 --> 00:28:08,070 TELL ME WHAT YOU WANT. DO YOU ACCEPT THE SENTENCE? 515 00:28:08,100 --> 00:28:09,670 YES. 516 00:28:11,170 --> 00:28:13,470 I WANT YOU TO MAKE LOVE TO ME. 517 00:28:13,500 --> 00:28:15,900 YOU DON'T MEAN HERE. 518 00:28:15,940 --> 00:28:17,310 YES, I DO. 519 00:28:17,340 --> 00:28:20,840 WHERE ARE WE GONNA DO THAT? 520 00:28:20,870 --> 00:28:24,170 TAKE ME BACK TO MY PLACE RIGHT NOW. 521 00:28:24,200 --> 00:28:26,230 THE COURT ACCEPTS THE PLEA. ALL RIGHT. 522 00:28:26,270 --> 00:28:28,670 SENTENCING IS ON FOR JUNE... 523 00:28:30,670 --> 00:28:31,930 12th. 524 00:28:33,500 --> 00:28:35,730 ALL RIGHT. ALL RIGHT? 525 00:28:35,770 --> 00:28:38,900 YEAH. YOU'VE GOTTA GO TO PART 63. 526 00:28:38,940 --> 00:28:40,980 HE CAN'T COME. HE TOLD YOU. 527 00:28:41,000 --> 00:28:43,300 THEY'RE SERIOUS OVER THERE. WHAT DO YOU MEAN? 528 00:28:43,340 --> 00:28:46,080 THEY'RE READY TO PUT YOU IN CONTEMPT. THEY'RE GONNA ARREST ME? 529 00:28:46,100 --> 00:28:48,600 YEAH. I THINK YOU GOT TO GET OVER THERE. 530 00:28:51,340 --> 00:28:53,140 THEY'RE GONNA ARREST ME. 531 00:28:53,170 --> 00:28:55,230 THIS O. K.? YEAH. 532 00:28:55,270 --> 00:28:57,230 LOOK, UH... 533 00:28:57,270 --> 00:28:59,470 WE GOTTA DO A RAIN CHECK, JOYCE. 534 00:28:59,500 --> 00:29:03,000 THANKS. WE COULDN'T HAVE MADE THE CASE WITHOUT YOU. 535 00:29:03,040 --> 00:29:05,410 A RAIN CHECK TILL WHEN? WHEN YOU GONNA BE 50? 536 00:29:07,100 --> 00:29:08,800 YOU SON OF A BITCH. 537 00:29:08,840 --> 00:29:11,610 TAKE A WALK, JOYCE. SEE A DOCTOR. 538 00:29:27,600 --> 00:29:29,530 YOU'RE ALL RIGHT WITH YOUR WORK. 539 00:29:29,570 --> 00:29:30,730 YEAH? 540 00:29:30,770 --> 00:29:33,800 I KNEW WHAT WE WERE RUNNING ON THAT WOMAN, 541 00:29:33,840 --> 00:29:36,510 AND I WAS STILL GONNA GO TO PART 63. 542 00:29:36,540 --> 00:29:39,680 I'VE GOT TO GO PICK SOMETHING UP. 543 00:29:39,700 --> 00:29:42,700 IT JUST OCCURRED TO YOU? YEAH, IT JUST OCCURRED TO ME. 544 00:29:42,740 --> 00:29:44,840 WANT ME TO PUT IN FOR LOST TIME? 545 00:29:44,870 --> 00:29:47,200 I'LL SEE YOU UP IN THE SQUAD. 546 00:29:47,240 --> 00:29:48,540 O.K. 547 00:29:55,700 --> 00:29:58,000 HOW YOU DOING, DETECTIVE? 548 00:30:00,540 --> 00:30:03,310 YOU INTERVIEWED THIS EARL PADZIK? THE BOOKIE'S DRIVER? YEAH. 549 00:30:03,340 --> 00:30:06,140 WHAT KIND OF HIT YOU GET? 550 00:30:06,170 --> 00:30:08,070 A COUPLE OF LOW‐RENT COLLARS. 551 00:30:08,100 --> 00:30:11,400 I'VE GOT A PRINTOUT ON WILEY'S CELLULAR. STILL IN USE. 552 00:30:11,440 --> 00:30:14,380 COUPLE OF THE CALLS GO TO THIS GUY PADZIK'S MOTHER. 553 00:30:14,400 --> 00:30:16,400 MAYBE WE SHOULD TALK TO HER. 554 00:30:16,440 --> 00:30:19,240 I BROUGHT FANCY UP TO SPEED. 555 00:30:19,270 --> 00:30:21,670 WE'RE SETTING UP A P. E. N. N. REGISTER TO MONITOR THE MOTHER'S CALLS. 556 00:30:21,700 --> 00:30:24,330 DETECTIVES, COULD I STOP YOU FOR A MOMENT? 557 00:30:24,370 --> 00:30:26,170 WHAT'S GOING ON, JOHN? 558 00:30:26,200 --> 00:30:29,070 I'M NOT SURE IF YOU HEARD, BUT THIS IS GOING TO BE MY LAST DAY. 559 00:30:29,100 --> 00:30:32,200 I JUST WANTED TO GIVE EACH OF YOU A CARD. 560 00:30:34,700 --> 00:30:37,030 THANKS, JOHN. NO, THANK YOU. 561 00:30:37,070 --> 00:30:38,730 I'VE ADORED WORKING HERE. 562 00:30:41,340 --> 00:30:44,240 JUST GO AWAY. I'LL GET EMOTIONAL. 563 00:30:46,700 --> 00:30:48,600 ‐ WE'LL SEE YOU LATER, HUH? ‐ YEAH. 564 00:30:54,200 --> 00:30:56,830 I'M GONNA WAIT TILL AFTER THE SHIFT TO OPEN MINE. 565 00:31:06,400 --> 00:31:09,630 UH. THEY SAID IT WAS 3D, RIGHT? 566 00:31:09,670 --> 00:31:11,370 YEAH. DOWN HERE. 567 00:31:19,500 --> 00:31:22,170 ‐ YEAH, WHAT IS IT? ‐ NEW YORK CITY DETECTIVES. 568 00:31:22,200 --> 00:31:24,900 WE WANT TO TALK TO YOU ABOUT YOUR SON, MRS. PADZIK. 569 00:31:24,940 --> 00:31:29,080 ‐ I KNOW. ‐ WE'D LIKE TO TALK TO YOU INSIDE. 570 00:31:29,100 --> 00:31:30,770 MAKE IT QUICK. 571 00:31:39,540 --> 00:31:43,040 I HOPE YOU PEOPLE ARE HAPPY. WHAT WOULD WE BE HAPPY ABOUT? 572 00:31:43,070 --> 00:31:45,870 YOU DROVE MY SON AWAY. 573 00:31:45,900 --> 00:31:48,630 I'M GONNA BE ALL ALONE IN THIS CITY. 574 00:31:48,670 --> 00:31:51,000 ‐ WHERE'S EARL GOING? ‐ AS IF I'D TELL YOU. 575 00:31:51,040 --> 00:31:53,210 YOU'RE THE ONES MAKING HIM LEAVE. 576 00:31:53,240 --> 00:31:56,240 CALL HIM IN. THREATEN HIM WITH YOUR JACKBOOTS. 577 00:31:56,270 --> 00:31:59,000 ‐ YOU GOT CHARM, YOU KNOW THAT, MRS. PADZIK? ‐ BACK AT YOU, DUMPY. 578 00:32:00,900 --> 00:32:03,530 ‐ LOOK, NOBODY'S THREATENED EARL, MRS. PADZIK. ‐ YEAH, RIGHT. 579 00:32:03,570 --> 00:32:06,230 WE'RE INVESTIGATING A HOMICIDE HERE. 580 00:32:06,270 --> 00:32:08,170 YOUR SON WORKED FOR THE MAN WHO WAS KILLED. 581 00:32:08,200 --> 00:32:11,300 YOU TRY TO PIN THAT ON HIM, I'LL SUE THE WHOLE DAMN CITY. 582 00:32:11,340 --> 00:32:12,540 MM‐HMM. 583 00:32:12,570 --> 00:32:14,470 DID YOU KNOW LENNY WILEY? 584 00:32:14,500 --> 00:32:15,830 MY HUSBAND KNEW HIM ENOUGH... 585 00:32:15,870 --> 00:32:18,470 TO LOSE HALF HIS PAYCHECK EVERY DAMN WEEK. 586 00:32:18,500 --> 00:32:21,800 ‐ YOUR HUSBAND'S BEEN DEAD FOR A WHILE? ‐ SEVERAL YEARS. 587 00:32:21,840 --> 00:32:24,640 ANY CHANCE YOU WEREN'T LIVING TOGETHER AT THAT TIME? 588 00:32:24,670 --> 00:32:26,470 YOU GOT A SMART MOUTH. 589 00:32:26,500 --> 00:32:29,700 ‐ HOW LONG DID YOUR SON DRIVE FOR WILEY? ‐ COUPLE MONTHS. 590 00:32:29,740 --> 00:32:32,380 THAT SCUMBAG'S IDEA OF A GOOD TURN‐‐ 591 00:32:32,400 --> 00:32:34,800 RUB PEOPLE'S NOSE IN THEIR BAD LUCK. 592 00:32:34,840 --> 00:32:36,980 WILEY BEING THE SCUMBAG FOR HIRING YOUR SON? 593 00:32:37,000 --> 00:32:38,800 WOULD‐‐ WOULD YOU MOVE? 594 00:32:38,840 --> 00:32:42,340 O.J.'S COMING BACK ON. WOULD YOU GUYS LEAVE? 595 00:32:42,370 --> 00:32:46,400 IF EARL'S LEAVING TOWN, I HOPE HE SPLITS SOME OF THAT TAKE WITH YOU. 596 00:32:46,440 --> 00:32:48,210 EARL DID NOT DO THAT ROBBERY. 597 00:32:48,240 --> 00:32:49,840 WE'RE PRETTY SURE HE DID. 598 00:32:49,870 --> 00:32:51,400 HE'S USING THAT BOOKIE'S CELL PHONE. 599 00:32:51,440 --> 00:32:52,580 47 GRAND? 600 00:32:52,600 --> 00:32:55,500 YOU'D THINK HE'D LAY A FEW BUCKS ON HIS MOM. 601 00:32:55,540 --> 00:32:56,840 GET THE HELL OUT. 602 00:32:56,870 --> 00:32:59,470 GET OUT. GET THE HELL OUT. 603 00:32:59,500 --> 00:33:01,300 SONS OF BITCHES. 604 00:33:01,340 --> 00:33:03,010 I LIKED THE 47 GRAND. 605 00:33:03,040 --> 00:33:05,540 GUY'S LEAVING TOWN. I WANTED TO TURN UP THE TEMPERATURE. 606 00:33:05,570 --> 00:33:09,000 YEAH. THAT OUGHT TO STIMULATE A LITTLE INTERFAMILY PHONE ACTIVITY. 607 00:33:20,670 --> 00:33:22,500 O.K. THANKS. 608 00:33:22,540 --> 00:33:25,790 GUYS, THE SUBJECT OF YOUR P. E. N. N. REGISTER... 609 00:33:25,820 --> 00:33:29,250 DIALED ONE NUMBER OVER AND OVER AGAIN FOR 15 MINUTES STRAIGHT. 610 00:33:29,290 --> 00:33:30,760 YOU GOT HER GOING. 611 00:33:30,790 --> 00:33:32,990 THE CALLS STOPPED FIVE MINUTES AGO. 612 00:33:33,020 --> 00:33:35,350 YOU GOT THE NUMBER? WE'LL CHECK IN THE COLE'S DIRECTORY. 613 00:33:35,390 --> 00:33:37,590 RIGHT HERE. 614 00:33:37,620 --> 00:33:41,350 HEY, BOBBY, DID YOU LEAVE ANY UNFINISHED BUSINESS WITH JOYCE NOVAK? 615 00:33:41,390 --> 00:33:44,430 ‐ NO. ALL DONE WITH THAT. ‐ YOU DON'T KNOW WHAT SHE'S COMING TO SEE ME ABOUT? 616 00:33:44,450 --> 00:33:46,580 NO. 617 00:33:46,620 --> 00:33:48,980 I'D LIKE TO SPEAK WITH YOU, LIEUTENANT, 618 00:33:49,020 --> 00:33:50,150 PRIVATELY. 619 00:33:51,220 --> 00:33:53,620 O.K. 620 00:33:53,650 --> 00:33:54,950 COME ON IN. 621 00:34:04,120 --> 00:34:07,520 I'D LIKE TO FILE CHARGES OF SEXUAL MISCONDUCT AGAINST DETECTIVE SIMONE. 622 00:34:07,550 --> 00:34:11,150 I DON'T KNOW HOW TO DO IT. I'D LIKE YOUR HELP. 623 00:34:11,190 --> 00:34:13,530 UM, MISS NOVAK, 624 00:34:13,550 --> 00:34:16,180 I'M GONNA MAKE A RECORDING OF THIS CONVERSATION. 625 00:34:17,790 --> 00:34:19,530 FOR BOTH OUR BENEFITS. 626 00:34:19,550 --> 00:34:21,280 GO RIGHT AHEAD. 627 00:34:23,350 --> 00:34:25,350 SO... 628 00:34:25,390 --> 00:34:27,290 WHAT SORT OF SEXUAL MISCONDUCT... 629 00:34:27,320 --> 00:34:29,450 BY DETECTIVE SIMONE ARE YOU ALLEGING? 630 00:34:29,490 --> 00:34:32,790 I WAS A WITNESS IN THE ARNOLD GLOVER MURDER INVESTIGATION. 631 00:34:32,820 --> 00:34:35,980 DETECTIVE SIMONE WAS RUNNING THE INVESTIGATION. 632 00:34:36,020 --> 00:34:38,850 AT A TIME WHEN I WAS EXTREMELY VULNERABLE AND FRIGHTENED, 633 00:34:38,890 --> 00:34:42,430 DETECTIVE SIMONE MADE SEXUAL OVERTURES TO ME, 634 00:34:42,450 --> 00:34:46,320 AND HE INITIATED AN INTIMATE RELATIONSHIP WHICH HE'S JUST TERMINATED. 635 00:34:46,350 --> 00:34:48,650 ALL RIGHT, MISS NOVAK. 636 00:34:48,690 --> 00:34:51,990 IT'S IMPORTANT THAT YOU DON'T REACT TO WHAT I SAY NOW AS INTIMIDATION. 637 00:34:52,020 --> 00:34:54,650 OH, NO. I'M THROUGH BEING INTIMIDATED. 638 00:34:54,690 --> 00:34:57,860 WE TAKE THE CHARGES YOU'RE MAKING SERIOUSLY. I HOPE YOU WOULD. 639 00:34:57,890 --> 00:35:00,790 IF DETECTIVE SIMONE WAS SEXUALLY INAPPROPRIATE WITH YOU, 640 00:35:00,820 --> 00:35:02,580 I WANT THAT TO COME OUT... 641 00:35:02,620 --> 00:35:04,750 AND FOR HIM TO RECEIVE APPROPRIATE SANCTIONS. 642 00:35:04,790 --> 00:35:06,430 WHAT, A LOST DAY OFF? 643 00:35:06,450 --> 00:35:08,160 IF YOUR ALLEGATIONS ARE TRUE, 644 00:35:08,200 --> 00:35:11,070 SANCTIONS WOULD BE SUSPENSION FROM THE FORCE... 645 00:35:11,100 --> 00:35:13,270 AND A JAIL TERM. THAT'S WHAT HE DESERVES. 646 00:35:13,300 --> 00:35:16,300 BEFORE WE GO FORWARD WITH ANY CHARGES... 647 00:35:16,330 --> 00:35:19,160 YOU MAY WISH TO FILE, MISS NOVAK, I WANT YOU TO KNOW... 648 00:35:19,200 --> 00:35:22,270 THAT EARLY IN HIS INVESTIGATION, DETECTIVE SIMONE PUT ME ON NOTICE... 649 00:35:22,300 --> 00:35:24,740 THAT HE CONSIDERED YOU MENTALLY UNSTABLE. 650 00:35:24,760 --> 00:35:27,760 HE, I, AND THE DISTRICT ATTORNEY HAD REPEATED CONVERSATIONS... 651 00:35:27,800 --> 00:35:30,340 ABOUT YOUR CHANGING YOUR ACCOUNT OF WHAT YOU SAW... 652 00:35:30,360 --> 00:35:32,730 AND YOUR OFFER TO CHANGE YOUR STORY FURTHER... 653 00:35:32,760 --> 00:35:35,660 IN EXCHANGE FOR DETECTIVE SIMONE SHOWING INTEREST IN YOU. 654 00:35:35,700 --> 00:35:38,900 THESE INCIDENTS WERE REPORTED BY DETECTIVE SIMONE AS THEY OCCURRED... 655 00:35:38,930 --> 00:35:41,590 AND WERE NOTED BY ME IN MY DAILY LOGBOOKS. 656 00:35:41,630 --> 00:35:45,090 THEY'RE A MATTER OF RECORD, GOING BACK A NUMBER OF MONTHS, 657 00:35:45,130 --> 00:35:47,460 AND THEY WOULD PROVIDE THE BACKGROUND AND CONTEXT... 658 00:35:47,500 --> 00:35:50,000 IN WHICH YOU'D BE PURSUING YOUR CHARGES. 659 00:35:50,030 --> 00:35:51,490 HE SEDUCED ME. 660 00:35:51,530 --> 00:35:53,160 I DON'T BELIEVE YOU, MISS NOVAK, 661 00:35:53,200 --> 00:35:56,000 BUT WE'LL CERTAINLY TAKE YOUR COMPLAINT... 662 00:35:56,030 --> 00:35:58,430 AND CONDUCT A FULL INVESTIGATION. 663 00:35:58,460 --> 00:36:00,490 I'LL GET A DETECTIVE TO TAKE YOUR STATEMENT. 664 00:36:00,530 --> 00:36:02,990 WHAT, THE ONE HE'S SLEEPING WITH NOW? 665 00:36:03,030 --> 00:36:05,290 MISS NOVAK, ARE YOU UNDER PSYCHIATRIC CARE? 666 00:36:15,460 --> 00:36:18,790 DID YOU TWO ENJOY YOUR LITTLE PERFORMANCE AT MY EXPENSE? 667 00:36:18,830 --> 00:36:22,230 IF YOU WANT TO FILE A COMPLAINT, I'LL PUT YOU WITH A DETECTIVE. 668 00:36:22,260 --> 00:36:24,830 ‐ YOU MUST BE A GREAT LAY. ‐ THAT'S ENOUGH. HEY, JAMES. 669 00:36:24,860 --> 00:36:27,230 DO YOU HAVE SOME SPECIAL TECHNIQUE? IS THAT HOW YOU STEAL MEN? 670 00:36:27,260 --> 00:36:29,230 YOU WANNA COME WITH ME? LET GO OF ME. 671 00:36:29,260 --> 00:36:32,260 YOU CAN LEAVE WITH ME OR BE PSYCHOED AT BELLEVUE. 672 00:36:34,100 --> 00:36:36,000 YOU'RE AN EVIL PERSON. 673 00:36:42,000 --> 00:36:46,470 ‐ WHAT KIND OF TECHNIQUES DID YOU USE? ‐ AH, OLD FAMILY RECIPE. 674 00:36:46,500 --> 00:36:49,240 ANDY, YOU COME UP WITH THAT ADDRESS? 675 00:36:49,260 --> 00:36:51,830 WHERE DONNA REED WAS CALLING LITTLE EARL? 676 00:36:51,860 --> 00:36:54,490 YEAH. 824 EAST 10th. 677 00:36:54,530 --> 00:36:56,290 WHY DON'T YOU GET OVER THERE? 678 00:37:04,930 --> 00:37:07,090 YOU'RE A BUM! 679 00:37:07,130 --> 00:37:09,930 BUM? YOU'RE A PRICK! 680 00:37:09,960 --> 00:37:12,960 COME ON, MA! THEY LIED TO YOU! 681 00:37:13,000 --> 00:37:15,240 $47,000! 682 00:37:15,260 --> 00:37:17,590 ORDINARILY YOU DON'T WANT TO SHOOT AN ELDERLY WOMAN. 683 00:37:17,630 --> 00:37:19,060 15th SQUAD TO CENTRAL. 684 00:37:19,100 --> 00:37:21,900 SHOTS BEING FIRED AT 10th AND AVENUE "C." 685 00:37:21,930 --> 00:37:24,930 "MA, I NEED TRAVEL MONEY! THEY'RE BREAKING MY BALLS." 686 00:37:24,960 --> 00:37:27,260 ‐ WANDA, DROP IT! ‐ DROP THAT GUN! POLICE! 687 00:37:27,300 --> 00:37:29,500 OH, THAT'S GREAT! THAT'S TERRIFIC, MA! 688 00:37:29,530 --> 00:37:31,660 NOW YOU PUT ME IN JAIL! 689 00:37:31,700 --> 00:37:33,000 WANDA, DROP THAT GUN! 690 00:37:33,030 --> 00:37:36,430 YOU'RE READY TO BLOW THIS TOWN, AREN'T YOU? 691 00:37:36,460 --> 00:37:38,930 WITH THAT SLUT, JUST LIKE YOUR FATHER. 692 00:37:38,960 --> 00:37:42,560 ‐ YOU DON'T WANNA DIE, WANDA! PUT THE GUN DOWN! ‐ YOU AIN'T GOING NOWHERE. 693 00:37:42,600 --> 00:37:45,340 WANDA, DROP THAT GUN OR WE'RE GONNA DROP YOU HERE! 694 00:37:45,360 --> 00:37:46,560 THEY'LL KILL US! 695 00:37:46,600 --> 00:37:48,640 SHUT UP! YOU SHUT UP! 696 00:37:48,660 --> 00:37:50,460 SHUT UP. SHUT UP. 697 00:37:50,500 --> 00:37:52,440 ‐ GO. GO. ‐ SHUT UP. 698 00:37:52,460 --> 00:37:53,590 GOT IT. 699 00:37:57,760 --> 00:37:59,430 KEEP YOUR HANDS ON THE DASH. 700 00:37:59,460 --> 00:38:02,460 HANDS ON THE DASH! GET OUT OF THERE. 701 00:38:02,500 --> 00:38:03,940 GET OUT OF THERE! 702 00:38:03,960 --> 00:38:05,290 YOU HAPPY, MA? HUH? 703 00:38:05,330 --> 00:38:06,930 SEARCH HIM. 704 00:38:06,960 --> 00:38:10,730 I WANT TO KNOW HOW MUCH MONEY THAT KID HAS IN HIS POCKET. 705 00:38:10,760 --> 00:38:12,130 ALL RIGHT. 706 00:38:12,160 --> 00:38:14,960 WHAT WILL WE TURN UP ON BALLISTICS ON THIS? 707 00:38:15,000 --> 00:38:16,470 A BULLET IN WILEY'S HEAD? 708 00:38:16,500 --> 00:38:19,270 IS THAT THE GUN YOU USED, EARL? 709 00:38:19,300 --> 00:38:21,300 SCREW YOU, MA! 710 00:38:21,330 --> 00:38:23,330 YOU DIDN'T EVEN THROW IT AWAY. 711 00:38:23,360 --> 00:38:25,630 YOU SAVE A HUNDRED ON ANOTHER GUN. 712 00:38:25,660 --> 00:38:27,230 ‐ SHUT UP! ‐ YEAH, YOU MORON. 713 00:38:27,260 --> 00:38:31,260 TAKE THEM OUT OF HERE. YOU JERK. YOU LITTLE PRICK. 714 00:38:31,300 --> 00:38:34,900 THEY SAY THE FAMILY STRUCTURE'S GOING TO HELL, HUH? 715 00:38:34,930 --> 00:38:38,160 SHOOT HER AND PUT HER OUT OF HER MISERY! 716 00:38:46,260 --> 00:38:48,090 I'LL MEET YOU AT CASEY'S? 717 00:38:48,130 --> 00:38:49,190 GOOD. 718 00:38:57,660 --> 00:38:59,490 PADZIK GIVE IT UP? 719 00:38:59,530 --> 00:39:02,230 ‐ WE WON'T BE SEEING EARL FOR A WHILE. ‐ HOW'S MOM? 720 00:39:02,260 --> 00:39:05,760 SHE'S GIVING PERSONALITY TIPS TO THE POLICEWOMAN. 721 00:39:05,800 --> 00:39:07,900 ‐ DID PADZIK GO? ‐ YEAH. HE SIGNED A STATEMENT. 722 00:39:07,930 --> 00:39:11,290 O.K. GOOD NIGHT, FELLAS. GOOD NIGHT, LIEU. 723 00:39:11,330 --> 00:39:14,460 LIEUTENANT, I HAVE THIS LITTLE CARD FOR YOU. 724 00:39:14,500 --> 00:39:16,140 OH, THANK YOU, JOHN. 725 00:39:17,660 --> 00:39:21,260 I'VE APPRECIATED AND... 726 00:39:21,300 --> 00:39:25,070 ENJOYED THE PEOPLE IN YOUR SQUAD AND THE WORK ATMOSPHERE. 727 00:39:25,100 --> 00:39:27,840 I DON'T THINK ANY OF THAT IS AN ACCIDENT. 728 00:39:27,860 --> 00:39:31,290 IF YOU'RE INTERESTED, THERE'S A P. A. A. SLOT OPEN UPSTAIRS IN ANTICRIME. 729 00:39:31,330 --> 00:39:32,830 DON'T TEASE ME. 730 00:39:32,860 --> 00:39:36,230 IF YOU WANT IT, I'LL TALK TO THE SARGE. 731 00:39:36,260 --> 00:39:40,130 I'D BE THRILLED. I'D LOVE TO STAY IN THIS COMMAND. 732 00:39:40,160 --> 00:39:42,660 CHECK WITH HIM WHEN YOU LEAVE. I THINK IT STARTS RIGHT AWAY. 733 00:39:42,700 --> 00:39:45,300 I WILL. THANKS. GOOD NIGHT. 734 00:39:45,330 --> 00:39:46,860 GOOD NIGHT, LIEU. 735 00:39:49,330 --> 00:39:50,490 [KNOCK KNOCK] 736 00:39:50,530 --> 00:39:52,460 UH, JUST A SECOND. 737 00:39:56,530 --> 00:39:58,660 WE HAVE A LOCKER HOG. 738 00:40:07,330 --> 00:40:09,790 I'M SORRY. EXCUSE ME. NO PROBLEM. 739 00:40:12,130 --> 00:40:13,590 GOOD NIGHT. 740 00:40:13,630 --> 00:40:15,190 YEAH. GOOD NIGHT. 741 00:40:19,160 --> 00:40:21,860 ‐ SEE YOU. ‐ SEE YOU. 742 00:40:25,300 --> 00:40:27,470 COMING, BOB? YEAH. GOOD NIGHT, MAN. 743 00:40:27,500 --> 00:40:28,770 GOOD NIGHT. 744 00:40:30,530 --> 00:40:32,890 PUT THAT IN BOSS' TRAY, HUH? GOOD NIGHT. 745 00:40:32,930 --> 00:40:33,860 GOOD NIGHT. 746 00:40:45,700 --> 00:40:48,970 ARE YOU GOING TO SEE HIM NOW? 747 00:40:49,000 --> 00:40:51,670 ARE YOU GOING TO MAKE LOVE TO HIM? 748 00:40:51,700 --> 00:40:55,340 WHY DON'T YOU GO HOME AND GET SOME REST? 749 00:40:55,360 --> 00:40:56,630 YOU CAN RUN HIS LIFE, 750 00:40:56,660 --> 00:40:59,460 BUT YOU‐‐YOU‐‐ YOU CAN'T RUN MINE. 751 00:40:59,500 --> 00:41:02,200 DROP THAT, OR YOU'RE GOING TO GET HURT. 752 00:41:05,030 --> 00:41:08,290 I THOUGHT THIS WAS FOR ME... 753 00:41:08,330 --> 00:41:10,490 BUT IT'S REALLY FOR YOU! 754 00:41:10,530 --> 00:41:12,890 DROP IT, OR I'LL BREAK YOUR ARM! DROP IT! 755 00:41:12,930 --> 00:41:16,090 ‐ DROP THE KNIFE. ‐ I GOT THE KNIFE. 756 00:41:16,130 --> 00:41:18,430 NO! SHE'LL DESTROY YOU! 757 00:41:18,460 --> 00:41:21,430 JAMES. TAKE HER INSIDE. GET AN AMBULANCE. 758 00:41:21,460 --> 00:41:23,760 NO! I'M NOT GOING‐‐ BASTARD! 759 00:41:23,800 --> 00:41:26,840 JOYCE, LOOK AT ME. LOOK AT ME. LOOK AT ME, JOYCE. 760 00:41:26,860 --> 00:41:29,830 I'LL GO THERE WITH YOU. IT'S ALL RIGHT. 761 00:41:29,860 --> 00:41:32,260 NO. IT'S NOT ALL RIGHT IF SHE'S WITH YOU. 762 00:41:32,300 --> 00:41:36,070 SHE'S NOT COMING WITH US. IT'S JUST GONNA BE ME AND YOU. 763 00:41:36,100 --> 00:41:39,170 JOYCE, IT'S JUST ME AND YOU THERE, ALL RIGHT? 764 00:41:39,200 --> 00:41:41,470 YEAH. O.K. 765 00:41:41,500 --> 00:41:44,500 COME ON. I'LL STAY WITH YOU. 766 00:41:44,530 --> 00:41:46,660 LET'S GO INSIDE, ALL RIGHT? 767 00:42:21,130 --> 00:42:23,790 I'M GLAD YOU LIKED FATHER KANKARIDES. 768 00:42:23,830 --> 00:42:25,790 YEAH. 769 00:42:25,830 --> 00:42:28,630 HE WAS SO WONDERFUL TO US WHEN MY MOM DIED. 770 00:42:28,660 --> 00:42:32,560 TO ME, BUT TO MY DAD, ESPECIALLY. 771 00:42:32,600 --> 00:42:34,500 YEAH. HE SEEMS LIKE A NICE GUY. 772 00:42:41,200 --> 00:42:44,670 DO YOU WANNA TELL ME WHAT YOU TALKED ABOUT? 773 00:42:44,700 --> 00:42:47,700 TERMS OF NOT FILLING OUT THE QUESTIONNAIRE, BELIEFS AND SO FORTH. 774 00:42:56,530 --> 00:42:58,830 I WORKED A CASE ONCE. 775 00:42:58,860 --> 00:43:01,460 A COUPLE'S KID WAS MISSING‐‐ A 14‐MONTH‐OLD KID. 776 00:43:01,500 --> 00:43:03,740 HE WANDERED AWAY IN A PARK, 777 00:43:03,760 --> 00:43:07,490 AND WE'RE LOOKING EVERYWHERE, AND THERE'S FLYERS WE GOT OUT, 778 00:43:07,530 --> 00:43:11,560 AND THEY'RE INTERVIEWED ON THE RADIO. 779 00:43:11,600 --> 00:43:13,600 THE GUY'S A DOG TRAINER, IN FROM THE MIDWEST... 780 00:43:13,630 --> 00:43:15,760 SO HE COULD TAKE THIS SPECIAL COURSE... 781 00:43:15,800 --> 00:43:19,600 WITH A GERMAN SHEPHERD HE'S GOT. 782 00:43:19,630 --> 00:43:22,760 AND THE WIFE'S HALF AN OILER. YOU CAN TELL SHE LIKES TO DRINK. 783 00:43:24,300 --> 00:43:27,470 I'M GETTING THIS BAD FEELING FROM BOTH OF THEM, 784 00:43:27,500 --> 00:43:30,100 SO I GO AT HER A LITTLE BIT. 785 00:43:30,130 --> 00:43:32,290 WE'RE UP IN THEIR TRANSIENT APARTMENT THEY'VE RENTED, 786 00:43:32,330 --> 00:43:33,790 AND FINALLY SHE SAYS... 787 00:43:33,830 --> 00:43:36,890 WHATEVER HAPPENED, IT WASN'T HER. 788 00:43:36,930 --> 00:43:39,890 SO NOW I'M LOOKING AT THE HUSBAND. HE'S THIS‐‐ 789 00:43:39,930 --> 00:43:42,090 HE'S THIS HORSE‐BALLED TOUGH GUY. 790 00:43:42,130 --> 00:43:44,260 A FAKE MARINE. 791 00:43:44,300 --> 00:43:46,940 AND HE'S TALKING ABOUT HOW PETS HAVE TO BE DISCIPLINED. 792 00:43:46,960 --> 00:43:49,160 AND THE BREAKDOWN OF DISCIPLINE, 793 00:43:49,200 --> 00:43:53,400 AND I'M GETTING WORRIED WHAT MIGHT HAVE HAPPENED WITH THIS ASSHOLE. 794 00:43:53,430 --> 00:43:56,160 AND NOW SHE STARTS SCREAMING IT WASN'T HER. 795 00:43:56,200 --> 00:43:58,300 SHE WAS ASLEEP. 796 00:43:58,330 --> 00:44:01,660 THE BABY PEED WHEN THE FATHER WAS CHANGING IT, 797 00:44:01,700 --> 00:44:04,470 AND, UH... 798 00:44:04,500 --> 00:44:07,400 IT URINATED IN THE GUY'S FACE. 799 00:44:07,430 --> 00:44:10,490 HE THREW THE BABY DOWN AND FRACTURED ITS SKULL, 800 00:44:10,530 --> 00:44:13,260 AND THE BABY LAY THERE AND DIED. 801 00:44:13,300 --> 00:44:16,100 AND WHAT HAPPENED TO THE BABY, I WANT TO KNOW. 802 00:44:16,130 --> 00:44:19,830 SHE'S STILL SCREAMING, AND I‐‐I LOOK AT THIS DOG, 803 00:44:19,860 --> 00:44:22,460 AND THIS ASSHOLE'S TRYING TO GET THIS DOG AWAY FROM ME. 804 00:44:22,500 --> 00:44:25,140 I GOT TO CUT OPEN THIS DOG'S BELLY. 805 00:44:25,160 --> 00:44:30,930 I TAKE HIM OVER TO THE VET'S. WE CUT HIS BELLY OPEN. 806 00:44:30,960 --> 00:44:34,230 AND THERE'S THE PIECES OF THE CHILD INSIDE THE‐‐ 807 00:44:34,260 --> 00:44:36,430 THE DOG. 808 00:44:40,160 --> 00:44:42,630 HE WANTED TO KNOW IF I'D LOST MY FAITH. 809 00:44:53,800 --> 00:44:56,300 I GOT FAITH IN YOU.